studio history
Atlanta engineering chapter
GVO SMiTH spent five years audio engineering in Atlanta.
Worked as an audio engineer at Billboard Studios in Atlanta under mentor Big John and built hands-on experience around major artists and sessions.
THE PERSON BEHIND THE SOUND
The places. The people.
The process that made the music.
From Baltimore roots to Atlanta studio rooms. A look into GVO SMiTH’s own archive, one chapter at a time.

01 / THE CHAPTERS
The artist. The engineer. The builder.
Start with the chapters behind the work.
studio history
GVO SMiTH spent five years audio engineering in Atlanta.
Worked as an audio engineer at Billboard Studios in Atlanta under mentor Big John and built hands-on experience around major artists and sessions.
life story
A move out of Baltimore changed the trajectory.
After leaving Baltimore City and County schools, GVO SMiTH moved to Montgomery County in 2006, joined Project Lead The Way STEM, graduated from Watkins Mill High School, and made honor roll in a chapter defined by growth and discipline.
brand story
Every part of the work comes from the same source.
GVO SMiTH writes, records, mixes, masters, designs, edits, and builds the website personally, creating a fully self-owned system for music and presentation.
02 / PEOPLE & PLACES
Follow a name back to its chapter.
Context matters more than a name-drop.
Studio relationships, introductions, and encounters. Open a chapter for the original context.
PLACES IN THE ARCHIVE
Locations are listed as recorded, without private addresses.
03 / FROM THE ARCHIVE
Studio nights, introductions, and moments
that stayed with the artist.
The Atlanta studio years connected GVO SMiTH to a wide creative network.
Sessions and proximity included work around Bink The Humble Producer, Bricksdamane, Kaleena of Diddy Dirty Money, Joseline Hernandez, We Are Toonz, Roscoe Dash, Rotimi, Bobby V, Benzino, Low Deezy, BL$$D, K Wales, Stevie J, J Lack, and Faith Evans.
K Wales opened doors into rooms that shaped GVO SMiTH's professional standard.
Mentorship through K Wales led to engineering opportunities at DeVaughn Stevens' house and exposure to artists including Chris Brown, R. Kelly, and Kap G, along with memorable moments that reinforced possibility and ambition.
Recommendations from mentors led to additional engineering opportunities in Atlanta.
Chubbie Baby recommended GVO SMiTH to Aron Reid at 12 Studios, formerly connected to Polo Da Don, extending the artist's engineering reputation and experience.
Professional validation started early.
Chubbie Baby appeared on GVO SMiTH's first high-school mixtape and later introduced him to Carl Thomas, helping build early confidence and industry access.
GVO SMiTH appeared on T.I.'s VH1 show.
The appearance placed GVO SMiTH around T.I., Monica, Reginae Carter, and Sean Garrett, adding another chapter to the artist's lived industry history.
The Atlanta years came with unforgettable moments around larger-than-life artists.
One of many stories from the scene includes spotting Future at Magic City during the 2011 era, a moment remembered less as a flex and more as part of the city's scale and energy.
Some stories land as pure motivation.
A Christmas Eve recording session with Mase became one of several memories that reinforced the level GVO SMiTH was working toward.
The history includes moments around Atlanta video shoots and scenes.
GVO SMiTH was present on the set of the Kansas music video near Compound and crossed paths with artists including Gucci Mane, Shawty Lo, and Jim Jones.
A LITTLE MORE CONTEXT
In the artist's account, the story starts in Baltimore and continues through Montgomery County, Maryland, before the Atlanta studio chapters.
GVO SMiTH describes five years of audio engineering at Billboard Studios in Atlanta, with mentorship from Big John. The chapters above preserve his account of the people and rooms along the way.
No. Studio history, introductions, shared rooms, and personal encounters are different from track-level production credits. Confirmed song credits appear alongside the records in the catalog.
There are 101 original recordings in the listening room. Explore the catalog or choose a free editorial collection; playback stays with you as you move through the site.
BACK TO THE SOURCE
101 records. Your next favorite is in there.